"Hell…o? Oh…" Shiloh's words were interrupted as she was greeted by a person with their mouth…sewn shut. This was not a good way to start a house call. The poor girl was respectful enough, so she followed to make her job easier. Soon she was before Dalanesca in her own throne room. The Reaper herself came to meet her, this time more formally. When addressed, she gave a polite bow. It was an old habit, and more of a reflex at this point after being thrown off by the mute who led her in. Trying to collect her thoughts, she was hoping her response wouldn't turn into a jumbled mess from her anxiety. Business? What business–oh, right. Yes, that. Why she was here. Of course. Nothing to panic about, everything was fine. No it wasn't. It wasn't fine. Definitely not fine. She took a breath and went to her back-up plan: pretend she saw nothing. That helped.
"I realized that I never had the chance to properly thank you for helping me back then…until now. I know it's long overdue, but here is something that I wanted to give as a token of my gratitude." She then paused, and awkwardly continued when she remembered that she didn't exactly have it with her. "…I almost forgot–please wait a moment." Pulling out her enchanted sack, she stuck her hand in and pulled out a large rectangular metal frame with wheels attached. Setting it on the ground, she began taking out several other things while mumbling to herself. "Wheels…panel one…panel two. Wrench…wrench…wrench–here it is." There was a pile of parts on the floor, and some tools. The deity then proceeded to open a portal and stuck her upper half through, as if retrieving something from the other side. There were a few moments of struggling as Shiloh dragged something rather bulky out from it, and set it onto the metal frame with wheels. She then took out more parts, assembling some sort of machine before Dalanesca's eyes. The contraption was six feet high, three feet in depth, and its front face was five feet across. The internal structure looked like a modified pipe organ, with all the tubes and mechanisms. The metal panels she had pulled from her endless sack were fitted onto the strange machine's surface, and a few twists and turns from the wrenches brought it all together.
The end result: a rather imposing looking device that was essentially a large rectangle standing upright. It was adorned in blackened carbon steel plating and silver, with resin simulating the texture of grey stone. The front had three spigots extending from the mouths of the decorative gargoyles, and a theater mask twisted in agony was at the top of the machine. Below it, there was the symbol of Antikythera stamped into the metal. Pushing it to the side to test the wheels, they creaked horribly causing the misfortune goddess to cringe. She rummaged in her bag and pulled out a canister of oil, dripped it on them, then wiped the excess. Pushing it again, her ears were greeted with sweet silence. She let out a small sigh of relief. "Let's see… Something's missing. Right, the arm." Grabbing what appeared to be a skeleton's arm, she fastened it to a point where something was supposed to be joined, resulting in a rather macabre holder for something.
With the assembly finally complete, she turned to explain what this mechanical monstrosity was. "Here it is; it's a drink dispensing machine. It's a prototype, so most of the functions have to be operated manually, but it's still simple to use." Turning the machine around she removed a back panel, revealing an area where there were three bottles attached to a set of tubes. "So before you start, you'll need to place some bottles first. I wasn't sure what you preferred, so I loaded bottles of red wine, ale, and white wine into the pumping system. These tubes here–they're flexible, so you just set the bottles in and insert the tubing down the necks. They're attached to a mechanism that will draw the alcoholic beverages up into some pipes which lead to the spigots in front."
Replacing the back panel and turning it to the front, she went over how the dispensing worked. "So once the machine has drawn liquid, you can begin pouring. All you need to do is place you favorite glass in here–" Shiloh said, pointing to the skeletal arm, "–And you can move it to whichever spigot you want. Turn the knobs–then turn them again to shut off the flow when you're done. Oh, and the hand on this arm is actually a modified clamp so you can adjust its grip to accommodate different beverage containers. There's a little thing here that tightens when you turn it." To demonstrate, she put in a wine glass into the hand, pulled it towards the first spigot, and turned on the tap. Turning it closed, she presented Dalanesca a pamphlet made from parchment with a summary of what she had just said, complete with detailed diagrams. At the last page, there was a section stating that the 'Drink-Dispensing Fountain' was ensured and tested to last for a lifetime, and if repairs were needed one could simply contact Antikythera with a message.
While she had been working on the machine, Shiloh had forgot her initial nervousness. But once that was over, she wasn't sure what else to say. She hadn't planned that far ahead. She might have gone a bit overboard with her 'gift', but it was too late for that now.
"When all else fails, move on to plan B. And when that plan fails, move on to the next plan."
Looking for alchemy or synth items? I might have what you need: Synth and Alchemy Surplus Shiloh is the Ruler of Onslaught and the Thundering Tempest, or the Overseer of Luck and Misfortune
Her God Powers are:
I. She can utilize spatial distortion to redirect attacks aimed at her to target something else.
II. She can create a paralyzing stasis field with a diameter of 30 ft on a person or a fixed point within her line of sight.
III. She is able to reverse the polarity of one's misfortune into fortune, or vice versa.